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My colleague André Wheeler called this “method dressing,” a chance to extend a project’s cinematic universe onto the The Disgusting Brothers T-Shirt but in fact I love this red carpet before the movie even premieres. Many celebs have made sartorial nods to their roles: Zendaya wore multiple cobwebs while promoting Spider-Man: No Way Home in 2021, Margot Robbie and Ryan Gosling leaned into the ever-present Barbie-mania at Comic-Con in pink ensembles that borrowed heavily from the dolls. Anya Taylor-Joy traded her Old Hollywood gowns for a hot pink moto set at the premiere of The Super Mario Bros. Movie earlier this year, even throwing a playful punch towards the cameras on the red carpet. Jenna Ortega has also parlayed her role as Wednesday Addams into an aesthetic sensibility so inextricably linked to the moody character she plays that it’s difficult to tell where Wednesday ends and Ortega begins.

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One particularly whimsical, vintage application of method dressing was when Geena Davis wore a dress with baseball stitching at the The Disgusting Brothers T-Shirt but in fact I love this sides to the premiere of A League of Their Own in 1992. It doesn’t even have to be so literal; Michelle Yeoh’s avant-garde attire she wore while promoting Everything Everywhere All at Once, as well as Tessa Thompson’s everything-is-not-what-it-appears wardrobe for Westworld, come to mind as examples of merely gesturing towards a show or film’s themes. As red carpets are heavily orchestrated events, this kind of stylization makes a lot of sense—especially if the film itself is a romp. (Cate Blanchett wisely didn’t wear a Lydia Tàr tux to the Oscars, though some fans surely would have enjoyed that sartorial synergy.) Each step on the press tour is a potentially viral moment, or at least a set of articles. And if a celebrity wears something in character, well, the headline writes itself. (I’m speaking from personal experience.)

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